Apparently driven insane by her lover, the Joker (Jared Leto), her Harley Quinn taunts her male captors and giggles obscenely at their obvious inferiority. As it stands, it’s hard to know what it’s meant to be.Ī great showcase for Margot Robbie, certainly.
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armed the Taliban and the future al-Qaeda against the Soviets and so empowered a new deadly enemy - Suicide Squad might have been a howlingly suggestive satire.
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If the writer-director, David Ayer (working from the comic by John Ostrander), had underlined that absurdity - if he wanted to recall how the U.S. Her reason for assembling the team - that it could be the last best defense against the “next Superman” - is a “huh?” on its face and even dumber underneath, given that one of the villains she liberates, Enchantress (Cara Delevingne), turns out to be the planet’s biggest threat. Her actions are inexplicable, and you can’t tell if it’s because of hidden motives or the ineptitude of script. Viola Davis plays the government mastermind Amanda Waller, who’s actually meant to be more hateful than the villains she coerces into fighting.
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Suicide Squad’s First Trailer Is a Better Movie Than the Actual Movie So the climactic battles are just CGI in a void - sound and fury signifying nothing. Many of The Dirty Dozen and The Magnificent Seven die in the course of their “suicide” missions, but DC and Marvel can’t bear to part with copyrighted characters that have the potential for multiple spinoffs. The “worst of the worst” turn out to be rather sweet underneath, and the “suicide” part of the title means zip, nada. Meanwhile, our war movies - and Suicide Squad belongs in the war genre along with most recent superhero films - have proven that audiences can be easily seduced into rooting for immoral characters, provided that they think the ends justify the means.īut the makers of Suicide Squad can’t fully commit to their premise because they’re afraid that the mainstream PG-13 audience can’t handle it. At least one wing of our government is happy in places like Iraq to let borderline-psychotic private contractors do their worst, collateral damage be damned. Suicide Squad centers on a secret government entity that blackmails “the worst of the worst” - all those costumed psychopaths and “meta-humans” that superheroes like Batman and Superman have labored to put away - into fighting against future unspecified enemies of the planet. How early will the fanboys who flock to see Suicide Squad - smug in the knowledge that they’ve won the day, that Hollywood is now desperate to cater to their tastes above all others’ - admit that they’re watching the year’s most muddled piece of storytelling? Will they say, “Enough!”? Or will they vent over the damage to their favorite characters and promptly move on to debating who should direct the next stupid, overblown Suicide Squad movie?